Treasure biographies

The Hoen Hoard
The Hiddensee Hoard
Political events
1809

The Swedish Empire loses Finland

The Swedish Empire loses Finland

1814

Norway becomes independent
from the Kingdom of Denmark

1834

Gold hoard found on the
Hoen farm (Norway)

1835

First publication of the Hoen Hoard
(Latin, Norwegian)

1836

The Hoen Hoard joins the
University of Christiania (Oslo)
collection

1848

Denmark becomes a
constitutional monarchy 

1852

The collection goes on display in the new
university building in Christiania (Oslo)

1871

Founding of the
German Reich

1872

Until 1874: 16 items of gold jewellery found on the island
of Hiddensee (northern Germany) and sold to
the Provincial Museum for New Western Pomerania
and Rügen in Stralsund

1878

The Hoen Hoard is exhibited in Christiania (Oslo)
as evidence of Scandinavian ties with the
Near East and the Frankish Kingdom

1880

The Hiddensee Hoard is exhibited at the
“Exhibition of prehistoric and anthropological
finds in Germany” in Berlin as 10th-century
Scandinavian gold jewellery

1882

Costume jewellery and exact
replicas of the Hiddensee Hoard
manufactured by Paul Telge, Berlin

1904

From 1904 the Hoen Hoard is the highlight
of the new Viking-age hall in
Christiania (Oslo) Historical Museum

1905

Dissolution of the union
between Sweden and Norway

1914

Beginning of World War I

1914

Permanent exhibition of the Hiddensee Hoard
in Stralsund’s city hall as an isolated highlight
among paintings, porcelain, and hand axes

1918

End of World War I

1920

1920s onwards miniature replicas of the Hiddensee
Hoard manufactured by the goldsmith’s workshop
Stabenow of Stralsund and others

1933

Adolf Hitler becomes Chancellor
of the Reich in Germany

1936

Spring: First comprehensive publication
of the Hiddensee Hoard by Peter Paulsen, 
ideologically appropriating the jewellery
as “Germanic”

1936

1. to 16. August: Summer
Olympic Games in Berlin

1936

August: During the Olympic Games, a replica
of the Hiddensee Hoard is exhibited in the Berlin
exhibition Germany as an example of culture
from the Gau (administrative district) of Pomerania

1936

From autumn onwards: Exhibition of the replica
Hiddensee Hoard in Stralsund Museum as
a product of the Viking Age that allegedly
proves Germanic supremacy in the Baltic region

1939

Beginning of World War II

1939

Early October: Evacuation of the Hoen Hoard
to a bank vault in rural Norway

1940

9 April 1940: Occupation of Norway
by the German Wehrmacht

1945

Evacuation of the original
Hiddensee Hoard to Szczecin
(returned and buried before
the end of the war)

1945

Allied victory over Nazi Germany.
End of World War II.

1945

Founding of UNESCO

1947

The Hiddensee Hoard is dug up, confiscated
by the Russian Kommandatura, and later
returned to the city of Stralsund

1949

Founding of West and
East German republics
(FRG and GDR)

1953

October: The original Hiddensee Hoard
is exhibited for the first time in 15 years
as the highlight of Stralsund Museum

1953

Parts of the Hoen Hoard go on display in Paris and Brussels
as products of a shared European culture. They appear in the
exhibition “Norwegian art from the Viking Age to the 18th century”

1957

Founding of the European
 Economic Community (EEC)

1959

For security reasons, the Hoen Hoard is exhibited
in a lockable treasure room at the Oslo
Historical Museum – as one treasure among many,
no longer as a highlight of the Viking Age

1961

The Berlin Wall is built

1962

1962–1975 Annual exhibition of
the original Hiddensee Hoard at
the Ostseewoche, an East German
propaganda event in Stralsund

1964

Neck ring from the Hoen Hoard exhibited in the diplomatic
exhibition “Norway and the Soviet Union” in Oslo

1973

A replica Hiddensee Hoard is given as a gift to
Erich Honecker, the leader of East Germany (GDR)

1975

An exhibition in Stralsund commemorating the “30th
anniversary of the liberation from fascism” focuses on the
alleged “rescue”of the Hiddensee Hoard by the Soviet
occupation forces after World War II

1980

Parts of the Hoen Hoard are exhibited as examples
of Viking-age art in the exhibition “The Vikings” in
London, New York, and Minneapolis

1986

The original Hiddensee Hoard is displayed abroad
for the first time in a diplomatic exhibition in Stockholm:
“Art treasures from northern East Germany”

1987

The original Hiddensee Hoard
is exhibited for the first time since 1975
as the highlight of Stralsund Museum

1989

The original Hiddensee Hoard
is soiled during the making of
casts for replica production

1989

Fall of the Berlin Wall

1990

The Hiddensee Hoard is cleaned
in a workshop in Mainz

1990

Early 1990s discovery of a replica Hiddensee Hoard alleged
to have belonged to Erich Mielke, former East German Minister
for State Security. It is purchased by Stralsund Museum

1992

Until 1993. The Hoen and Hiddensee Hoards feature in the exhibition
“From Viking to Crusader. The Scandinavians and Europe 800–1200”
in Paris, Berlin, and Copenhagen. Both hoards are presented as evidence
of early Scandinavian relations with the rest of Europe

1993

Founding of the European Union

2006

Publication of the first recent
monograph on the Hoen Hoard

 

2010

Publication of the first recent
monograph on the Hiddensee Hoard
since that by Peter Paulsen in 1936

2013

Until 2015. The original Hiddensee Hoard is displayed in Copenhagen,
London, and Berlin in the exhibition “The Vikings” as a status symbol of
Denmark’s Viking-age power elite and its international connections

2015

Since 2015 The original Hiddensee Hoard is permanently on show in
Stralsund Museum, embedded within the prehistory section but
presented in isolation with a focus on aesthetics

2019

Since 2019 The Hoen Hoard is on show in the “Víkingr”
exhibition at Oslo Museum of Cultural History; the display
makes reference to the international provenance of
the objects, but with a focus on their aesthetic value 

2023

The Honecker replica of the Hiddensee Hoard
is acquired by Förderverein Stralsund Museum e.V.

2024/25

Digital exhibition of both the Hoen and Hiddensee Hoards in
“Treasure Politics since 1800” – Digitalisation offers new
opportunities for (digitally) appropriating cultural heritage
independently of the museums that own the items